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Homage to an Unattractive Woman
The most unattractive woman I ever made love with –
I know you think that unkind –
had a seizure disorder and took dilantin,
but had a wonderful mind.
Her teeth were rotted,
she was short and quite plump,
had stubbly hairs on her face,
wore glasses, even in bed …
and bloomers.
Her hair was a mess,
her knees were knobby,
when she opened her mouth
saliva stuck to her upper and lower palate.
She was an English teacher
in love with poetry,
romanticism,
Bharati Mukherjee
and Alan Ginsburg
She even looked like Alan Ginsburg,
laughed like him,
turned in onto herself,
aware of who she was,
and how she appeared,
and the fact that she had you in bed
and was going to enjoy it.
She had slept with my best friend Henry,
who I also adored.
She even loved him,
as did I.
He was so handsome
so beat,
and just the right mixture of
longshoreman and literary intellectual.
I was clearly her second choice,
as well it should be.
Her mind was brilliant
Her hands were a mess
Her clothes were a mess
She was brutally honest
Lovely in her way
Especially naked.
Her courage was more daunting than Henry’s
who is still in hiding,
her thighs softer,
she made nicer noises,
and never belched
or maybe she did.
I don’t remember everyone I ever slept with,
but here’s to a beautiful woman I do remember,
her name, in truth, was Linda.
POETRY

Bharati Mukherjee
Crow Blacker Than Ever – Ted Hughes
When God, disgusted with man,
Turned towards heaven.
And man, disgusted with God,
Turned towards Eve,
Things looked like falling apart.
But Crow . . Crow
Crow nailed them together,
Nailing Heaven and earth together –
So man cried, but with God’s voice.
And God bled, but with man’s blood.
Then heaven and earth creaked at the joint
Which became gangrenous and stank –
A horror beyond redemption.
The agony did not diminish.
Man could not be man nor God God.
The agony
Grew.
Crow
Grinned
Crying: ‘This is my Creation,’
Flying the black flag of himself.
(This poem may seem odd to some. It is one of a few dozen
crow poems in Hughes’ entire book of crow poems, Crow.
Hughes had a very dark side. Just ask Sylvia Plath.)
Poetry

The Shyness – Sharon Olds
Then, when we were joined, I became
completed, joyful, shyer.
I may have shone more, reflected
more, and from deep inside there rose
some glow passing steadily through me, but I was not
small, in a raftered church, or in
playing, now, I felt like someone
a cathedral, the vaulted spaces of the body
like a sacred woods. I was quiet when my throat was not
making those iron, orbital, earth,
rusted, noises at the hinge of matter and
whatever is not matter. He takes me
into the endings like another world at the
center of this one, and then, if he begins to
end when I am resting and I do not rejoin him yet
then I feel awe, I almost feel
fear, sometimes for a moment I feel
I should not move, or make a sound, as
if he is alone, now,
howling in the wilderness,
and yet I know we are in this place
together. I thought, now is the moment
I could become more loving, and my hands moved shyly
over him, secret as heaven
and my mouth spoke, and in my beloved’s
voice, by the bones of my head, the fields
groaned, and then I joined him again,
not shy, not bold, released, entering
the true home, where the trees bend down along the
ground and yet stand, then we lay together
panting as if saved from some disaster, and for ceaseless
instants, it came to pass what I have
heard about, it came to me
that I did not know I was separate
from this man, I did not know I was lonely.
Poetry

A Quiet Life – Baron Wormser
What a person desires in life
is a properly boiled egg.
This isn’t as easy as it seems.
There must be gas and a stove,
the gas requires pipelines, mastodon drills,
banks that dispense the lozenge of capital.
There must be a pot, the product of mines
and furnaces and factories,
of dim early mornings and night-owl shifts,
of women in kerchiefs and men with
sweat-soaked hair.
Then water, the stuff of clouds and skies
and God knows what causes it to happen.
There seems always too much or too little
of it and more pipelines, meters, pumping
stations, towers, tanks.
And salt-a miracle of the first order,
the ace in any argument for God.
Only God could have imagined from
nothingness the pang of salt.
Political peace too. It should be quiet
when one eats an egg. No political hoodlums
knocking down doors, no lieutenants who are
ticked off at their scheming girlfriends and
take it out on you, no dictators
posing as tribunes.
It should be quiet, so quiet you can hear
the chicken, a creature usually mocked as a type
of fool, a cluck chained to the chore of her body.
Listen, she is there, pecking at a bit of grain
that came from nowhere.
Poetry

A Wreath to the Fish – Nancy Willard
Who is this fish, still wearing its wealth,
flat on my drainboard, dead asleep,
its suit of mail proof only against the stream?
What is it to live in a stream,
to dwell forever in a tunnel of cold,
never to leave your shining birthsuit,
never to spend your inheritance of thin coins?
And who is the stream, who lolls all day
in an unmade bed, living on nothing but weather,
singing, a little mad in the head,
opening her apron to shells, carcasses, crabs,
eyeglasses, the lines of fisherman begging for
news from the interior-oh, who are these lines
that link a big sky to a small stream
that go down for great things:
the cold muscle of the trout,
the shining scrawl of the eel in a difficult passage,
hooked-but who is this hook, this cunning
and faithful fanatic who will not let go
but holds the false bait and the true worm alike
and tears the fish, yet gives it up to the basket
in which it will ride to the kitchen
of someone important, perhaps the Pope
who rejoices that his cook has found such a fish
and blesses it and eats it and rises, saying,
“Children, what is it to live in the stream,
day after day, and come at last to the table,
transfigured with spices and herbs,
a little martyr, a little miracle;
children, children, who is this fish?”
from Water Walker, 1989, Alfred A. Knopf, New York, NY
Poetry

Shivering in Majesty
1.
I have earned and care for a small plot of land
A small cottage
A dog
Sometimes a woman
My son.
2.
My daughter has found a good man
She has love, wisdom, and a daughter of her own
If they keep loving one another
They will be lucky
That’s what the owl in my yard says
3.
In the yard are Tibetan prayer flags.
Brought and hung by my sister.
When the breeze blows in off the bay
The things I’ve wished for come to me
The smell of the salted air
Birds at the bird feeders
A sense I belong
That I do not consume more than my share
Some seaweed, some flax seed
Though I give back so little –
Juice for the hummingbirds
A house for bats
My flesh to feed the worms and earth
in a pauper’s grave
by a sacred lake
4.
When the breeze goes out
it takes my hopes and wishes with it
they ride over the Tibetan prayer flags
and are made holy
My wish for peace
for relevance
for the happiness and well being of others.
my compassion washes over the banners
carrying words I do not understand
5.
These words reach the bay
where small fishes
are being chased by bigger fishes
chased by men
in boats with two hundred horse power engines
towed to the beach in three hundred horse power cars
to catch one poor fish
to remind them of the hunt
the cycle
the natural order
of the big eating the small
forgetting the grace of small nets
6.
And beyond the bay
Are the wars I finance
Fueled with jealousy, envy, hunger,
The wish for relevance,
An inherent primate consciousness,
And a sense of mission,
A desire to be of use,
to turn oxygen into carbon dioxide
so that plants too may live
shivering in the majesty
of immense rolls of summer thunder
stretching out to remind us
of our tasks
and our roots
in the heavens.
© BRTaub – 8/8
POETRY

She Has Loved 100 Men
She asks
How is it possible
She has loved one hundred men
And at their impaired age
This is the best love making she’s known.
He says it’s an illusion.
She asks
Can he make her taller
With blue eyes
And unwrinkled skin
And can he really unearth the dead
But what she is really asking
Is that he hold her
And promise to never let go
She says
You are so solid
And means the flesh she draws near
And the man inside the flesh
With his flaws and foibles
And a willingness to be weak
Standing in his power and strength.
Then she says his name
Speaks it into the ether
In ways he’s never heard it spoken
Radiating out into the universe
Before she herself goes out
Radiating who knows where
Although before getting far
She taps on the glass
Peering in through the window
And again mouths his name.
©brucetaub – 02/08
POETRY

Cheerio Box Speaks of Love
Cheerio box speaks of love and nutrition
and makes the days I share with her happy,
as well as providing a reduced risk of heart failure.
She uses all three parts of her whole grains,
a serving of nutrients,
the strength of iron,
all allotted in half cup servings.
She is enlarged, whole, overflowing.
contributing her non genetically modified ingredients
into the very depths of my being;
– though trace amounts of engineered materials
may be slightly present –
all a result of unavoidable cross contact
with others, with sugars,
with omnipotent grains of corn.
See how she makes my mornings
with a positive start that brings forth my happiness,
that invites me to consume her,
and to love her back.
Mi amor Integral.
Sharing positive enhancements
my Cheerio box explicitly tells me
that her freshness may be preserved
and that the essence of her character
ought be measured not by volume
but by weight,
the truest measure of her contents.
Enlarged to show her soluble fiber in detail
any one patented serving
contributes to my limited recommended daily diet.
Best if used before her expiration date.
She welcomes my questions and comments.

POETRY

The Love Letter of a Delerious Man
I want you to know you exist as my animal mate and how truly savage that love is.
I want you to watch a video of the mating ritual of eagles and then dive out of the tallest tree with me.
I want to roll in tree sap that never comes off and causes us to stick to one another
inseparably, the incipient amber fusing our skins and our bodies into one big gem.
I want to find you wet and make you wetter, to chew you and be chewed by you.
I want us to struggle as if we were taffy, to be molded, stretched, broken, rejoined.
I want to wring you out.
I want to suck the water that is in the towel you dry yourself with to sustain me in the desert.
I want you to know how much I adore you, and I want you to enjoy being so adored, from your brain to your toes.
I want to make children with you, even if we chose not to, I want to honor that I want to.
I want to sit inside your mind and be visited by me there.
To lift you on my shoulders and twirl you around like a little girl laughing and fall down together with you, the world spinning in a jumble.
To protect you from everything, even me.
To shed my ambivalence, then my skin, then my flesh; then be the bones you build your house with.
To lay down with you, and rise up with you, and fly off with you, and sink to the bottom with you.
I want to change the world with you.
I want you to scream, “Enough, I cannot take any more, it is too intense.” And I want you to mean it.
I want to be somewhere where no one knows us, or knows we are there; then I want to ask you to leave me, then I want to fall down on my knees and beg you not to.
I want to bury my head inside your flesh and cry.
To separate your labia and lick them, first inside on the right, then the left, and then slowly and deeply down the middle, your fingernails, pressed hard into the flat of my back, moaning in sensual agony.
I want you to say whatever is inspired in you to say and know it is received by me as a symphony.
I want you to put my face in between your hands and squeeze me until I am your face, and then I want to squeeze you hard enough to get myself back.
I want you to tremble, verily tremble, before the mighty power of what we share, barely understanding.
Then I want you to see the fierce possessive eternity you are reflected in the teardrop you evoke.
Then just say, I love you, to me in your native tongue.
Then say my name.
Then put your head down on the pillow, complete, safe, eager to sleep, eager to be cuddled with, eager to rise again.
Know that I give to you the best and only that I have.
Know that I give to you until I can no longer rise up beside you, no longer rise up inside you.
May it warm you, and heal you, and bring you great joy.
And may we wear it well together.
MISCELLANEOUS
