Other Writings
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Writings on a variety of different topics.
Wesley Williams
A Black Man’s Life in America During the Twentieth Century
I am a man of few words and must say from the start that words do not come easily to me. Which makes the fact I am saying anything, especially about myself, quite unusual. I think of myself as a man of action more than deep reflection. And although I do think about some things as much (or as little) as the next man, I am not an especially introspective person. Nor do I dwell upon the complexities of life. Nor am I terribly well read, although a few books have had an immense impact on my life. The fact is, as I think about it, that I have gained my way into this my eighty fifth year on the planet, mostly by persistence, desire, brawn, by my sheer physical strength, and my immense stubborn will. By my deeds, I say … deeds and few words. The fact I am saying any of this at all actually makes very little sense, but I’m trying.
The fact is I don’t talk about myself and I don’t philosophize. Never have. Never found it all that interesting frankly.
This particular project actually began because of my grandson Robert. A strange young man, I tease him, who comes over to my apartment on One Hundred and Seventeenth St. one fine day and informs me he is taking an oral history class at City University and that he wants me to tell him the history of my life. Gives me this little tape recorder and these tapes. Says to me, “Grandpa, please just tell me the story of your life,” as if it was a story I actually knew, when truth is I have hardly looked at myself for one minute of one day, except in the mirror when I dress or shave, or walking past the window of some darkened storefront on the avenues. “What do I have to say, young fool,” I ask him. And he says, “Come on, gramps, be real, you know your life is an interesting story, please, just talk into the tape recorder as if you were talking to me and telling me one of your tales.”
Now honestly, there is nothing inherently more interesting in my story than in the next fellow’s story if you ask me. I didn’t fight in a war overseas. I didn’t win a gold medal at the Olympics. I haven’t written any books. And it’s damned sure I haven’t amassed a great fortune. And I wasn’t even the first Negro fire fighter in the history of the New York City Fire Department. But I was the first Negro fire chief in the history of the New York City and surely I was the first Black Battalion Chief in New York City Fire Department history, maybe unto now for all I know. And I suppose that’s what Robert thinks about when he asks me to tell him my story.
I have lived in these so-called United States of America all my life. What can I tell you? I’ve actually lived in New York City all my life. Fact is, I’d just as soon not leave the Bronx or Manhattan if I had my druthers. As an adult I was certainly free to leave and I clearly and definitively did not, notwithstanding the pain of the everyday and of our history. I am an American, after all, and I am proud of that fact as a Black man.
This whole project, of me recording into this tape recorder thing, actually started out because my grandson Robert, a strange young man I tell him, came over to my apartment on One Hundred and Seventeenth Street one day, and told me he was taking an oral history class at City University. Asked me to tell him the story of my life. Gave me a little tape recorder and these tapes and said with that straight and earnest face Robert has, “Grandpa, please, just tell me the story of your life and I‘ll have the tape running,” as if the story of my life was a story I actually knew. Strange young man, that Robert. Always into books. And oh my how earnest he is. Truth is I have hardly looked at myself for one minute of one day, except in the mirror when I dress, or shave, or walk past some of the big windows of some of the storefronts on the avenues.
Oh I know well that some people regard me with a admiration and respect, at least these days they do, but that has to do with my deeds, my rank, my status, my accomplishments and not with the inner man, although I’m sure the inner man is a reflection of the outer public man, and vice versa. I just really never looked at it and I don’t think anyone ever actually asked me to.
“What do I have to say about anything, young fool,” I asked him.
And he said, “oh just please, grandpops, please, just talk into the tape recorder as if you were standing at the pearly gates reviewing your life with god.
“Now you know I don’t believe in that foolishness, Robert, you know that,” I said.
“Well then just talk into the tape recorder as if you were telling your mother what happened to you after she died. Tell grandma what happened to you. Tell her.”
“You are a pushy bookish young man, Robert. You know that?” I said, and I knew I was smiling as I said it.
I have lived in these so-called United States of America all my life. What can I tell you? I’ve actually lived in New York City all my life. Fact is I’d just as soon not leave New York City at any time if I had my druthers. The Bronx and Manhattan, that’s where I live, and have lived, and chose to live. Lived in Jersey for a short while with Frances but didn’t really like it. Who needs all those trees I say, just give me blacktop, brick, bright lights, and sidewalks. Throw in a siren. There is no freer place on earth for me than walking down the streets of New York City. Yes, son, New York, that’s my home.
As an adult I was certainly free to leave New York City and I clearly and definitively did not, notwithstanding the pain of the everyday and of our history. I am a New Yorker, an American, and I tell any African who visits these shores that I am as proud of that fact as I am proud to be a Black man.
I was born in the summer of 1897, well before what these white people call World War One. Funny how language, and those who shape the language, also shape and influence a people’s perception of reality. I mean, thirty five to sixty million Africans were ripped from their homes and families and forced to live in the most horrific and degrading conditions for centuries, treated worst than dogs, owned and unfree, and that is called a “peculiar institution,” while fifty to sixty thousand young American white men die in foreign lands between 1914 and 1917 and it is called “the war to end all wars.” I ask you.
My father James worked as an attendant at Grand Central Station for half a century. Worked as hard and steady as any man who ever lived. Loved his work, and loved bringing home his paycheck and putting it on the kitchen table for all to see. “Honest week’s work. Honest week’s wages. Land of the free, home of the brave,” he would say.
His father had been a slave. Now there’s a story there worth telling. And my mother herself had been born a slave, although as a young child she and her mother were freed and came up to New York City. Slavery has defined me, has defined our people, and has defined our country from the beginning. When I was a boy we lived in the Bronx in an apartment my father rented way over by Pelham Parkway. You can’t quite imagine what the Bronx was like nearly one hundred years ago. But there were farmhouses still. And people kept cows and chickens. And if you were Black you lived in . And there were no public schools for colored children. And I was born at home in my mother’s kitchen, with a hot tub of water on the floor, and my mother’s mother Rachel and the neighborhood midwife standing by. No drugs. No doctors. No medicines. No alcohol in that house. Just my mother screaming, “Damn you, James, see if I ever let’s you touch me again. Ever.” Screaming and laughing and panting hard you know, and swearing things she never meant but in her times of urgency and birth.
I was a skinny runt of a kid. Not an ounce of weight on me, when Ramsey found me. Now Ramsey, there was a man’s man. Just lived in that neighborhood, a quiet, never no nonsense man. Had a little gym in the garage next to his house with some weight lifting equipment. Inherited that house free and clear somehow. Hardly ever employed. Lived just to work out and exercise. Loved to bring every kid in the neighborhood if he could into his garage and show them how to lift weights, do push ups, jump rope.
First Alarm
The alarm rang four times. I hadn’t been asleep that long as I tumbled out of bed, sensing more than seeing the men moving about me. I was still half asleep as I slid down the pole. I hit the ground and stepped into my boots. The door to the station house was already wide opened. The dogs were sitting on the front seat of the pumper barking. The sirens were blasting. It had been awfully cold when I got to work around eight P.M. It was well below freezing now. I pulled on my jacket and gloves, slammed on my helmet, and clambered up onto the seat of the tiller at the back of the hook and ladder. Rory O’Malley started the engine almost before he was fully seated and we were moving into the night. Not two minutes had elapsed from the sound of the first alarm until all twelve men of our company and the rear of the sixty-foot long hook-and-ladder had cleared the station house doors. I was oriented and awake.
Wesley Williams, the city’s first Negro commanding officers, led the way in the Chief’s sedan. It was his job to read the alarm and know the fire’s location. The company’s job was to follow the Chief to the fire, to take orders on site. My job was to help get the ladders there, to keep the rear of the hook and ladder in line with the engine that pulled it, to make the tight curves, and miss the cars parked in the narrow city streets.
The fire we found was in a five-story walk up on 183rd. Residents of the building were already standing in the street shivering in their nightclothes. Flames could be seen behind the windows of a front facing apartment on the fourth floor. Firemen from another company were running up the stairs leading into the front hallway. Ladders were being extended along the street side of the building. Someone had to get into the building and into the apartment and someone had to get onto the roof. A fireman I worked with named Kretowicz was moving up the first ladder toward the window with the flames in it. He liked fighting fires. He loved the Chief. He’d hung an axe in a hook on his belt and had tossed a blanket over his shoulder. I could see he had no gloves on. A pumper from another engine company was pushing a hard stream of water at the building façade. Spray and mist were bouncing off the bricks, hitting the rungs of the ladder and freezing. I saw Kretowicz’ foot slip, saw him fighting for a grip, saw his boots slipping as he fell to the street like a diver trying to right himself before entering the water. He never made it. There was something dreadfully wrong in an instant. A fireman was never supposed to be lost or injured. Some standard operating procedure had not been complied with, some foreseeable risk had not been appreciated. Appreciated. Fuck appreciated. Dead. Now there’s something to think about.
It would be Chief Williams job to talk to Kretowicz’s widow or mother, Chief Williams who would fill out the reams of paper and forms, Chief Williams who would take the administrative heat. That Chief Williams was the city’s only Negro officer, and that he had just lost his first man at a fire, was not going to make his life one iota easier.
The Funeral
The Funeral
The day broke sunny and hot. Even so, my father put on his fire department dress uniform with his badge on the jacket front and his formal stiff dress hat. His badge had a piece of black tape across the numbers. Mother set out my good shoes, a dress shirt and a clip-on tie. The sunlight came through the Venetian blinds into the bedroom as I dressed. Mother actually kissed me softly on the cheek as I walked out the front door of the apartment into the cool marble hallway and down the stairs into the street. “What a handsome young man you are,” she said
We got into my father’s old Plymouth with the soft upholstered beige seats and drove east along the residential streets and apartment houses that are the Bronx. In less than twenty minutes we parked the car somewhere near Pelham Bay Road and walked to a building with an awning in front where lots of other men in uniform were gathered. The building was very quiet, notwithstanding the many people milling about it. My father signed a book when we went inside to a set of rooms filled with lots of cut flowers and soft purple velvet curtains and velvet covered chairs. My father shook hands with many of the men.
“Hey Marty,” the firemen say as they shake his hand. Or “Hello, brother. Who’s your assistant?” Or “who’s the new fireman?”
“Good to see you,” my father answered. “This is my boy, Sam. Son shake hands with my friend,” my father would say and I would reach out and shake the hand of one fireman after another.
“What do we have here, Marty,” a man named Captain Bannerman asked. “Looks like a fullback, or maybe a tiller man,” he said with a wink to me.
I shake the captain’s hand too.
My father holds my hand and walks over to a sparkling velvet open box. A flag is draped over part of it. Inside is a handsome man lying on his back in a fireman’s uniform. His eyes are closed.
“Son, meet Eddie Farrelli,” my father says, looking down at the face of the man in the casket. “The bravest man I ever knew. Just fought one fire too many. Eddie, this is my boy,” my father said.
I looked down into the casket at the man named Eddie Farrelli. “I’m pleased to meet you, sir,” I said. My father squeezed my hand a little tighter. I looked up into his face. He was crying.
We walked over to a woman seated on a chair against a wall with two children on either side of her.
“I’m Marty T,” my father said, shaking the woman’s hand. “I knew Eddie well. He and I had some good times together. He was a brave man. He talked very highly of you and your children.”
“Thank you, Marty” says the woman, “Eddie told me all about you too. And thank you for coming to pay respects, son,” she says to me.
We walk outside the funeral home. The city air is delightful, the sky bright. A cluster of uniformed firemen stand outside on the sidewalk. Some smoke cigarettes. Others brush and scuff the top of the sidewalk with the soles of their shoes looking down at the pavement.
“Life sucks,” says a big man with an immense moustache.
“Life sucks,” echoes a couple of the men.
“See you at the funeral,” says my father.
“See you around,” say a couple of the guys.
“I’d rather feed him than clothe him he’s growing so fast,” says one of the men ruffling my hair.
“Be good,” say a couple of the men.
“Yeah. Take good care of yourselves,” says my father.
We walk back to the car. We get inside. My father sits at the wheel for a while saying nothing.
“Let’s not go home yet,” he says as he starts the engine. “Let’s take the rest of the day off. Okay? Let’s stop somewhere and get some ice cream,” he says. “What do you like? Vanilla?” He looks at me. He rolls down his window. He looks to his left, and pulls out into traffic.
Jews / Hebrews
Further explorations of the world as it is and the world as we wish it to be
HEBREWS!?
…one of the unique things about the jewish people is that historically – at least for nearly two millennia – they were not a state/nation per se altho they were and are an ethnically identifiable “people,” independent of their religion … albeit a stateless people … a little like gypsies … members/citizens of many diverse nation states in the middle and far east, in africa, asia, europe, and the western hemisphere – while simultaneously maintaining their jewish identity, but not as a nation with a state/territory as such. the advent of zionism, the notion there should be an ethnically identified jewish state (designed initially as a nationalist movement primarily to protect jews from centuries of abuse), changed all that.
i personally never much favored the idea of there being a state for jews, especially on ethnically cleansed conquered lands, even as I celebrated the pre-1967 triumphs of Israel. it is my naïve utopian hope that israel and palestine will merge as one state for all its people – a far better outcome in my view than a jewish national state living side by side in peace with a safe, just, and equitable state for the palestinian people – and equally unlikely an outcome as there being one just and equitable state for all the people of Palestine. as Gideon Levy says, “the two-state solution is dead (it was never born); the Palestinian state will not arise; international law does not apply to Israel; the occupation will continue to crawl quickly to annexation, annexation will continue to crawl quickly toward an apartheid state; “Jewish” supersedes “democracy”, nationalism and racism will get the stamp of government approval, but they’re already here and have been for a long time.” in light of that reality i’m left believing israel and palestine are one state already, albeit an apartheid state w a major civil rights problem.” and there is no palestinian state, regardless of the best intentions of the pope.
So how did David turn into Goliath?
Nor’Easter
Nor’easter
I awaken early to a fierce late January Nor’easter swirling about the cottage. It is simply magnificent, the winds howling, the sky opaque. Every tree and rock, every snowy owl and coyote knows we’re locked into it here on Cape Cod, on planet Earth, land of first light.
I awaken John, here in the midst of moving from California to Somerville where his son, daughter-in-law and grandsons live and where his low-income apartment will presumably be available by late spring.
Time for a morning ride I declare, moving quickly, wanting to be the first tire tracks in the newly fallen snow, every moment pristine, every path portending birth and renewal.
On the ride to the beach in the jeep we stop for two black coffees and free donut centers for Tofu. We drop the tire pressure to 8psi. We ride out onto the snow-covered sand track South thru the dunes toward Chatham, the wind so high the dog’s eyes are partially frozen closed as she runs with absolute abandon, loving being out in the smells and the wildly excited air.
We can see where previous high tides have cut thru the dunes from the Atlantic side rushing across a few hundred yards of brush and low lying dune gulley, creating temporary tidal rivers running into the tide aroused waters of Little Pleasant Bay to the west. The classic Nauset barrier beach being pounded by surf and stone, by winds and tides, by fragile shell and gravitational forces engorged on a blood rich moon.
By the time we reach the third of seven access cuts thru the dunes and drive down the narrow track to the beach there is no beach, the oncoming tide having swallowed huge chunks of dune wall, reconfiguring the shore lines, depositing timbers, Christmas trees, root systems dislodged after the sawyer man’s cut into crazy impassable barriers, the waves already seeking the road and the jeep’s tires, highest tide an hour away, and me, not without a little anxiety headed in reverse post haste and quickly headed back North into the face of the storm when we see the first waves coming over the road and the sandy gullies and depressions filing.
About 3 miles out from the trailhead there is already a small lake where the road had been, the wipers are barely wiping, the defroster is laughing hysterically, and me, believing that seconds matter, guns the jeep straight into the water, instantly festive showers of mud and sand flying up onto the windshield and roof, completely obscuring my view and me, going what I hope is straight and high enuf above the water line not to challenge my spark plugs, am amazed at the depth of the water over the running boards and amazed we are thru.
I believe any further delay, exploration, or frolic and detour and you’d be reading about the two men lost in the storm, lost in the winds and the surf, close to the very spot where the Montclair went down, herself with only two survivors, in March,1927.
Django Unchained
Django Unchained – Written and Directed by Q. Tarantino – starring Jamie Foxx –
Django Unchained was to my mind sure to become a “standard,” a “classic” of American/Hollywood movie making. And although I appear to have been wrong, and even if Spike Lee has problems with it of a political/moral nature, that’s fine and changes nothing in my opinion about what Tarantino has accomplished in this movie about the brutality of slavery and Tarantino’s “revenge”/rescue fantasy the plot is built upon. As Tarantino himself said, his intention in making the movie – at least in part – was to do a movie that dealt “with America’s horrible past with slavery and stuff but do them like spaghetti westerns, not like big issue movies. I want to do them like they’re genre films, but they deal with everything that America has never dealt with because it’s ashamed of it, and other countries don’t really deal with because they don’t feel they have the right to.”
And slavery is absolutely the “central character” of the movie, the subject of the movie, and the movie’s primary focus, even more so than the Django character, as mythologized and glorified as he is. And the brutality of the slavery depicted is immensely raw, painful, embarrassing, sickening, although neither over stated or over dramatized, IMO. The characters and the plot are very “stylized,” which permits a certain depiction of brutality that might not be bearable in another, more “realistic” style. And any objection to use of the word ‘nigger’ is really a red herring in a period piece set two years before the civil war. The acting is amazing … as is the writing, the directing, and the music. Plus it is a good western … and think how hard a good western would be to make these days. (Witness “The Lone Ranger.”).
Maybe the excessive bloodshed in Django is gratuitous, but the entire presentation is a self-mocking charade that goes on to rip your guts out, notwithstanding extremely violent classic gun fights showing more blood and bullets exploding flesh than anyone needs or can openly bear. And some of the scenes of the torture and degradation of the slaves were so – i want to say “inhumane,” but it is regrettably all too human – beyond any currently “civilized” human’s ability to take in on a soul level. And the cruelty in ways was even worse than the violence, the rapes, the whipping, the branding, the torture … horrible … but precisely part of the greatness of Tarantino’s courage. And to my knowledge no one has ever shown this range of slave characters in one Hollywood epic, including slave bad guys, also awesomely courageous to depict. and, especially, of course, because white people are currently generally enjoined from depicting Black Americans in a negative way … other than as gangsters … or druggies … or poor … or uppity … but so much has and is changing, notwithstanding how very much more still must – and will – change, particularly perceptually, corporately, and environmentally.
The historical depiction of slave reality reminded me that the healing work is not over, even with a Black president, a fact we can genuinely be proud of as a nation – especially given where we were 50 and 150 years ago … but the healing work is not over. There were decades when i could not take a shower, not once, without my thinking of the Nazi holocaust of WWII, and that was “just” six million people over the course of a decade … the African holocaust lasted over 300 years and caused over 100 million African deaths before the slave ships reached the “new world” and has impacted African American mental, political, spiritual, and economic well being in stressful ways we cannot begin to fathom, but must bear witness to the consequences of, ever since.
Even Mother Africa herself is still traumatized, brutalized, and exploited, as she has been for more than 500 years. Indeed, for me, it is always the health and good humor of the survivors that amazes me … how can they be as healthy as they are – look at many of our surviving indigenous native brothers and sisters, or the Palestinians, who in my experience manifest a mind blowing dignity, good will, and willingness to forgive – as seems true among our brothers and sisters in the African diaspora.
So, while I don’t think anyone who is upset by graphic visual depictions of violence should view Django, you will miss phenomenal acting, great scenery and visual presentations, and music, all quite wonderfully over the top in a “camp” sort of way. And besides which, there is Samuel L. Jackson, and Django, who says famously, “The D is silent.”.